Imagine the most unique, fun game you can think of… it has it all. Action, replay value, a mind blowing story that advances the mediums of games and storytelling at the same time. It will win awards, set records and melt faces. We’ve all got one in our head.
There’s only one problem: you can’t make it.
The 3D graphics needed for your heroine requires modeling skills you’ll never have. The music you can almost hear requires composition that you can’t even understand. Let alone create with instruments and record. And the programming of all those complex dynamic story events and real time battle mechanics? Face it… unless Bethesda is just going to say, “We’re out of ideas, we’ll make the first game someone sends us.” It’s Never. Going. To. Happen.
So you make a flappy bird clone. At least you’re kind of living your dream.
The problem is that as the quality and scope of the idea increases, the difficulty of realizing it increases. And conversely, nothing is easier than making a really bad game.
How is a person supposed to deal with this dissonance between imagination and cold reality?
First option that pops in my head is to not worry about the graphics, sounds and music and make the game anyway. Focus on bringing the game to life even though it may look and sound like crap. It will be a good acid test of the game play at the very least. If it is truly fun and engaging in its current state then it will be worth spending the time/money to create high quality graphics, sounds and music.
Alternately, linking up with some like-minded people (perhaps via the Collaboration Forum here at Unity although it provided no value for me some people must have luck there I’d guess) to provide the skills you personally lack seems like the ideal way to go. I think still going ahead and knocking out as much as you can on your own is valuable though even if you plan to form a team. It will let people better understand what you want to build and if the game play is truly golden it will be obvious even with low quality graphics, sounds and music.
First, this is well-known: The Law of Conservation of Detail. Given infinite resources, you could make an infinitely detailed work; however you don’t.
Thus, it’s necessary to willingly trim your work down to the essentials. This is the part where you trade some of the artist’s discipline - perfect projection of a vision - for the engineer’s discipline - creating something that people wind up actually using that works, but is built with margin for error. Ultimately, a complete game is a union of both disciplines. How good a game is, depends on how well the two were married.
I agree. Pick some part of the project you can do, and ruthlessly scale back the rest. At the very least, it will give you a much better idea of where the real fun is in your game.
And, don’t forget about the Asset Store. You can probably buy a very good stand-in, at least, for your heroine and other characters. You can get a good dialog system with a graphical editor. And so on. You’ll have to glue it all together, but still, there’s a ton of good stuff there that can give your project a boost.
I gave my young concept artist the parameters for a picture I wanted. I laid it out, told her what to draw, where to set the character, and pictures of what the character should be drawing. She struggled with it and ended up with a nice but not so great picture. So I then told her to take that character and draw her how she wanted to see her. She did and her finished digital piece is wonderful and has been noticed on Deviant Art. She told me she loved drawing this picture compared to the other. It was easy to see this in the final picture.
I believe the same is true of games. If you love what you are producing, it will show. It might have only prototype characters and props, but it will be better than something you feel “blah” about. Besides, if you break down the project and do one thing at a time, you might be surprised at how far you can go. It will take time though.
What is your desired outcome? Do you want to make a game that will get you money quickly? Then go with something simple, retro, and fun. Do you want something that illustrates some new concept you think might work? It might take a while and it might not turn out exactly as you want, but you will be able to test your concept and try again.
As GarBenjamin says, you can always add the better graphics, sound, etc. later.
It’s pretty tough I think. Like others have said, your options are either to find people that can fill in skill wise, or adjust your goals and do something you can complete. I’d love to make an awesome 3D mech game, but I can’t, so I’m doing a simpler 2D overhead shooter instead. And even lowering the bar so much, it’s still been a challenge…but doable at least.
Maybe the projects you work on don’t have to be THE project, but can used as stepping stones to get there.
So refusing to compromise on your vision is not only stupid and arrogant but also counterproductive?
It seems like what people are saying is where detail exceeds available resources, one does well to reduce complexity in the original design.
However, this means necessarily leaving out things you wanted in. The idea already makes me depressed. How do you continue with a project that is no longer the same project you fell in love with?
Maybe you’ll fall in love with the new project? Or maybe look at what you don’t like in the new one and see how you can make it more fun or add some of the original back into it. I wouldn’t say to lose sight of the original completely. Keep trying and keep working on making it more similar to the original. And if you don’t have it exactly as you would want, maybe take a break, work on something else and come back to see if you can make it more into what you want.
Well I’m looking at it more like go ahead and do your grand vision in a grand way as much as you can. If your thing is programming then get it all programmed using simple placeholder graphics, sounds and music. If you’re main skill is in art then get all of the graphics done. If you’re a wizard at sound scaping then get all of the sound effects done. If a music maestro them compose the awesome tunes. Put your effort into the things you are best at. Do the other things as little as necessary. Then when you have that part all done you can decide if you want to tackle learning and mastering another area and doing all of that work too or partner with someone who is already skilled in that area.
That all said, there is a lot of value in breaking your giant masterpiece of a game down into pieces / sub systems. And then you could build a game for each piece. After several games you’ll have your full system built and tested and can possibly plug n play connecting it all together.
I think every game probably ends up with cut features, that’s just the reality of working with limited time/resources. Maybe it can be mitigated a bit by prioritizing what features are essential.
Also have you written it all out in a GDD? Planned every tiny aspect? You will cut the original concept down when it comes to developing. That is not really a bad thing. But at least plan out your vision and write it all down.
Then like many here have said do as much as you can in your area of expertise.
Now many developers quit after posting once in these collaboration forums. Once you have all you can do finished do not limit yourself to one source. There are many places to find the experts you need and I know from experience do not give up keep asking. You will find others who will love your vision if you thought it out and presented it well (GDD).
The main thing I have found when asking others to join you is they need to see that you did all that you could that’s how much you loved your vision.
The best advice I can give is do not give up. Your passion is what will inspire others to join you.
Stop complaining and start learning. No one is born a game developer and there are no shortcuts to success.
I’d you want to be a game developer, but have no intention to put in the work, go away and stop wasting your time.
Haha in the immortal words of one of my mentors “We work before we play.”
And his second most favorite saying “Most people will tell you work smart not hard. But I say do both and you cannot help but succeed.”
Interesting topic, which fits to my experiences. The solution I decided for myself is this: either stay at very very small games, where you could create all assets by your own in a consistent style, or invest the skills into game modding or game recreation projects. At least you already got the assets on the latter one.
The assets yeah… the best game principle is not enjoyable if you can’t deliver appropriate assets. Of course, one could say: “What a waste of time! Why make something you can never sell? Just purchase from the Asset Store and make your own dream game!”. Well… yeaaah…
Here is what we did. We reduced the complexity by working on a smaller version of the project first. Once that is finished and in testing, we will add more complexity. The base will be there and it will be modular enough to allow us to grow the game but it won’t be so overwhelming that a small team won’t be able to see the light at the end of the tunnel.
I worked on an Indie game that was so complex that it simply overwhelmed the resources of the team. When that happens, the dream never happens. So better to start small and grow. You can still do your project, just do it in steps. Write it out in a design document in phases. It truly does help.
Ready to earn that new achievement? Through hard work, you’ve discovered a new achievement you can unlock - ‘Enlightened!’ Adding this to your collection requires some soul searching. And, if you do, it will grant you new skills like, “Finishing Is A Feature” and “Minimally Viable Product” And if you continue on that path, you may even unlock the special (said in the best Pinocchio voice) … "I’m a Real Developer!"
In seriousness, you’ve reached the fork-in-the-road. To the left is the deceptively-golden, death-march of failed dreams. To the right is the steady-path of slow-n-steady wins the race. Rovio went to the right, with 52 failed attempts before Angry Birds, and so did Michael Jordan.
One way to unlock these advanced features is to try the game-a-week, game-a-month, or the 12-week challenge. Any of these is more likely to make you a better game developer than chasing the ‘most unique, fun game’ with everything.
Quick note to share another challenge is when working on a business program for work and you write a comment for a small section of code you’re about to add. Then you notice something doesn’t look quite right…“has the player aborted? if yes, their”… lol yeah that should be user not player. Just thought I’d share so someone might get a tiny chuckle like I just did.
That was it. I did a search… great feature for times like these. Besides, I have a habit of reading everything I type in code after typing it to catch bugs immediately so that helps catch craziness too.
